Showing posts with label haptics. Show all posts
Showing posts with label haptics. Show all posts

Monday, January 28, 2008

holy haptics, batman!

textiles


We have a working prototype device and we have validated it. It gives a reliable and reproducible sensation of real fabrics in a virtual world.

Professor Nadia Magnenat-Thalmann, coordinator of the HAPTEX project as cited in Haptics: Just reach out and touch, virtually in Physorg.com.

HAPTEX stands for Haptic sensing of virtual textiles.

Magnenat-Thalmann and her team are working out the kinks of a system that will let folks feel textiles in an online environment. The article explains how they've developed:

a powered exoskeleton glove with a pair of pin arrays that provide tactile sensation to two fingers. The glove gives the sensation of bending and stretching the fabric, while the pin arrays convey texture. Then this integrated device is combined with the visual and tactile database to give an overall impression.

Knitters will be disappointed to hear that the system's not yet up to differentiating between cotton, wool and silk -- but they're working on it.

p.s. Mash it up with this and we're in business, baby.



Update: And, of course, it took a better mind than mine to recognize the obvious. This just in from a friend: "This could breathe new life into the porn industry!"

Solid point, although I'm not convinced the porn industry is lacking for life. ;)

Saturday, August 26, 2006

haptics

waiting for the shop to open

In a Screen Age, the eye is glutted and the sense of touch is starved. The electronic book robs us of the erotics of paper. Sure an audio clip could emulate the sound of turning pages, just as a screen could impersonate a specific copy of a book – J. Edgar Hoover’s Lolita, say, replete with obscene marginalia (I’m making this up) – but never its feel.

Smart as it is, electronic paper can’t learn, by which I mean it can’t wrinkle at the touch of wet fingers turning pages in the bathtub; can’t remember the stained ring of that glass of red wine you imprudently used to hold your place; can’t speak volumes, from its margins and endpapers, about everyone who has ever jotted a thought in it. “Implicit in the possession of a book is the history of a book’s previous readings – that is to say, every new reader is affected by what he or she imagines the book to have been in previous hands,” writes Alberto Manguel in his marvelous A History of Reading.


The print medium’s saving grace, then, as any bibliophile knows who has ever caressed an onion skin page, inhaled the musk of old pages, run a satisfied finger along the serried ranks on her shelves. [Nicholson] Baker hints as much when he says, “I love the sound of turning pages. That’s one thing that paper does offer – that sound, as if you’re biting into an apple.”

Mark Dery reflecting on what he calls the “Gutenbook” in «Bound for Glory» in the July / August 2006 issue of Print.
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