Showing posts with label racism. Show all posts
Showing posts with label racism. Show all posts

Saturday, May 08, 2010

strange fruit

Photo via Law & Disorder Radio


Willie McGee and the Traveling Electric Chair, a Radio Diaries Production »

Willie McGee's story, as told by his granddaughter Bridgette McGee-Robinson, is worth a sit down and a listen, in the same way Jacqueline Goldsby's A spectacular secret: lynching in American life and literature is worth a difficult, heart-wrenching review.

Because this is the America that we have to make sense of somehow. Or better: struggle to redeem.

Saturday, December 12, 2009

the black book

Illus: Sunlight Soap Advertisement from The Black Book

Dear Mrs. Morrison,
Someone sent me a copy of The Black Book and if at all possible I would like to have two more. I need one copy to give to a friend, another to throw against the wall over and over and over. The one I already own I want to hold in my hand against my heart.


A letter from a prison inmate to Toni Morrison, editor of the Black Book while she was an editor at Random House, upon the book's initial release in 1974, cited by NPR.

The Black Book has been reissued in commemoration of its 35 year anniversary »

Thursday, August 27, 2009

give me a kiss

Photo: Jet Magazine 23 July 1964
Mamie Till Mobley and her son Emmett

Emmett just barely got on that train to Mississippi. We could hear the whistle blowing. As he was running up the steps, I said, "Bo," -- that's what I called him -- "you didn't kiss me. How do I know I'll ever see you again?" He turned around and said, "Oh, Mama." Gently scolding me.

He ran down those steps and gave me a kiss.

Mamie Till Mobley speaking to Studs Terkel about the last time she saw her son Emmett Till alive, as related in Will the Circle be Unbroken.

That moving account, which includes how she identified his body when he returned to her, brutalized by a racial killing, is excerpted here »

The Chicago History Museum has posted the full audio interview here »

Till's coffin, which was buried with him and then disinterred in 2005 for an investigation into his death (he was reburied in a new coffin) was recently found "rotting in a garbage-strewn shed" -- one of only many gruesome discoveries at the Burr Oak Cemetery South of Chicago.

Photos published by Jet Magazine of what a quarter million people saw through Emmett's glass-lidded coffin are here (warning: disturbing content) »

The New York Times reported today that the coffin has been donated to the Smithsonian National Museum of African American History and Culture in D.C., which is scheduled to open in 2015.

Monday, May 25, 2009

blood brothers

Illus: Norman Rockwell, Blood Brothers (1968)

Inspired by The Dead Matador by Edouard Manet, Rockwell initially portrayed a black man and his white friend dead in a ghetto. With the war in Indochina raging, Look requested that Rockwell substitute a Vietnamese village for the inner city. Rockwell's haunting revision showed two dead marines -- one black, one white -- in a pool of melding blood. "His idea for the painting," Claridge wires in Norman Rockwell: A Life, "was the visual mixing of blood flowing from both men, reminding the audience that skin color didn't affect the deepest levels of human connection."

Look again passed on the piece, notifying Rockwell that an African American editor at the magazine found the painting "patronizing." The comment wounded Rockwell and led to some self-doubt. But any misgivings about Blood Brothers receded in time. According to Claridge, Rockwell ultimately concluded, "Look lost its nerve."


From Killed Cartoons: Casualties from the War on Free Expression, edited by David Wallis.

Monday, April 27, 2009

maybe it is better to be silent

Photo: Mary Ellen Mark

a found poem

the acting mayor
delivered a short address
respectful
a bit wooden

then stepped back

making room
for a row of schoolgirls
to recite verses
they had memorized

but

an animated gray-haired man
edged his way
alongside the podium

and stepped onto it

sending whispers
through the crowd


From Critic-Shy Russian Mayor Walks Into Chess-Master's Trap in this morning's New York Times, which recounts how, on Friday, former grand master Garry Kasparov stepped uninvited onto the campaign podium of Sochi mayoral candidate Anatoly Pakhomov, mentioned Pakhomov's political rival briefly, and then went on to make a powerful critique of the "rise of racist violence in Russia," and the government's role in that rising tide.

The event was staged to commemorate the Armenian genocide during World War I; Kasparov's mother was Armenian.

It's reported that two and a half minutes into his speech a local official made an effort to remove Kasparov from the stage to which he appealed to the crowd saying "What's happening? I cannot speak? Maybe it's better to be silent?" The crowd thundered NO! and Kasparov remained.

Ellen Barry reports in her NYT piece:

In the audience, Vartyan S. Mardirosyan, a lawyer, was chuckling delightedly at the spectacle. He said the authorities in Sochi had cracked down so hard on dissent that it reminded him of Soviet times, when people were too afraid to express their political opinions outside their own kitchens. The ceremony had been an “undeclared competition,” said Mr. Mardirosyan, 68, with Mr. Kasparov both the underdog and the undisputed winner.

He began walking home, a broad smile plastered on his face.

“He didn’t just play chess,” Mr. Mardirosyan said. “That was a checkmate.”


Postscript: Pakhomov appears to have won in a landslide on Sunday.

Related: The Tsar’s Opponent: Garry Kasparov takes aim at the power of Vladimir Putin in the 1 October 2007 issue of the New Yorker »

Thursday, February 05, 2009

blue man


Illus: Daryl Cagel

I don’t care. I’m making Obama blue today.


Political cartoonist (and Twitterer) Daryl Cagel posting about the struggle in his industry to caricature Obama without causing offense, in How to Draw Obama.

In his blog post Cagel describes a strange and enduring editorial prescription:

I worked for twenty years as a cartoon illustrator, doing drawings for books, magazines and advertising. I was often given clear guidelines on how I was supposed to draw African-Americans: with “small noses” and “thin lips”. I was instructed to make any crowds of cartoon characters racially diverse, but only diverse in color, not in facial features. Thick lips and wide noses on African American faces would be returned to me for correction, with a polite reminder of the corporate policies on depictions of minority facial features.

Monday, February 02, 2009

lesson learned


I saw M last week for a haircut and we circuited through our usual topics: His little Russian Blue kitty. My big fat grey tabby. Theatre and movies: what we'd seen since we saw each other last. Our president. How good it feels that he's our president. And race.

We almost always circle back around to racial discrimination before we're done, although it took several years of knowing each other before we felt comfortable going there. We first got there by way of theatre. M was telling me about a play he was in, in which God shows up at a bar one fateful night. M played God. M is a big, black man -- taller than me, and I'm 6 feet tall. M told me that the theater received complaints from a white women that God was played by a black man.

This provided the fuel for our first rant on the biases that people bear, and it's become an easier and easier topic for us to tear into whenever we hook up over my hair. Race isn't something I talk about much with my friends who are white, although civil rights come up quite a bit with friends who are white and gay. I don't fit the profile of someone who should get outraged over discrimination -- I'm straight and I'm white and most doors in society open easily for me.

I owe my rage to my 5th grade teacher, Mrs. Stevens.

I loved school, and school always came easy for me. I was such a nerd about school that I was often the teacher's pet. By my 3rd grade year I realized that this was a social liability -- no one likes the teacher's pet -- and in my 4th grade year I experimented with ways to still get off on school without being singled out.

I wouldn't raise my hand even when I knew the answer. I passed notes in class and earned disapproving looks from my teacher, Mrs. Easterling. I tried to pick up on the whole gym thing, although dodge ball (the dodging part) was the only thing I ever managed well. Near the end of the school year Mrs. Easterling gave everyone in the class a unique award. Kimberley, who was long and lithe and whose dad was a Denver Nuggets basketball player, got the Bionic Beauty award. I got the Bionic Brain award. I was crestfallen. My plan had failed.

Then we moved to the Northwest and I was assigned to Mrs. Stevens' 5th grade class.

Through an accident of the school system Mrs. Stevens was teaching the same 4th grade class she had taught the year before, only now as 5th graders. She had a complicated system for assigning and logging class assignments and homework that the entire class was familiar with and well-practised in, because this was the second year they had to abide by it. It was my first year with the system and it left me baffled. I don't recall that she ever took time to explain it, and because I had never been baffled before in school I didn't know how to ask for help.

I started missing assignments because I didn't know they had been assigned. I was the new girl and too shy to ask my new classmates for help. When I did turn in my assignments I received poor marks -- because they were late? I don't know, but it snowballed, and I was receiving C's for the first time in my life. The only subject I continued to excel in was reading, probably because in the misery of that year I retreated deeper and deeper into books. It was as if Mrs. Stevens had decided what I was capable of -- had decided that I wasn't capable of much -- and graded me accordingly. Unthinkingly.

Her perception of me was pervasive -- I saw its effects in the other kids. One day in gym class when I struggled to climb the ropes -- and failed -- I returned to the line and the little girl in front of me said: "Mrs. Stevens said bad students are usually bad in gym too." I said nothing. My face flamed red and I felt the deep rage of being thought someone I was not and the shame of thinking maybe what the little girl thought was true. Nothing I did changed Mrs. Stevens' mind about me and I limped my way through my 5th grade year, happy only to have survived it.

I shook off the stigma in 6th grade and stayed on top of things from there on out, never regretting being teacher's pet again. I learned how to ask for help, and I had my moment of triumph when Mrs. Stevens brought her 5th grade class over from the Elementary School to see the Middle School play in which I had the starring role as Penelope the Pride of the Pickle Factory. (When I peeked through the curtains and saw her there with her class the old terror flooded through me, but I went on stage and pulled it off. Later my sister told me that the other kids said "wow -- was that your sister? She was so good," and I glowed.)

I hated Mrs. Stevens for what she thought of me, hated the way she warped my world into something untrue and unjust, hated that she never saw me for who I really was.

I hated her, but she may have taught me the truest lesson I ever learned.

Friday, January 23, 2009

the obama effect


Obama is obviously inspirational, but we wondered whether he would contribute to an improvement in something as important as black test-taking. We were skeptical that we would find any effect, but our results surprised us.


Vanderbilt University management professor Ray Friedman, one of three authors in a study currently undergoing peer review that suggests "Obama’s election could increase the sense of competence among African-Americans, and it could reduce the anxiety associated with taking difficult test questions." As reported in Study Sees an Obama Effect as Lifting Black Test-Takers in this morning's New York Times.

In brief:

Researchers have documented what they call an Obama effect, showing that a performance gap between African-Americans and whites on a 20-question test administered before Mr. Obama’s nomination all but disappeared when the exam was administered after his acceptance speech and again after the presidential election.


The research was conducted in the context of earlier studies that showed test performance among Americans of African descent was compromised when the test was introduced with questions that called attention to their racial identity.

Monday, January 19, 2009

the true meaning of its creed


[Lincoln's Memorial is] but a hollow mockery, a symbol of hypocrisy, unless we can make real in our national life, in every state and every section, the things for which he died.


One of the passages excised from the remarks of Robert Russa Moton, President of the Tuskegee Institution, by the sponsors of the 1922 Lincoln Memorial dedication event, when he spoke at the dedication ceremony of the monument. As reported by Anthony Lewis in his review of Eric J. Sundquist's book King's Dream in the New York Times Book Review.

Also reported in the New York Times piece: Martin Luther King's I Have a Dream speech? He ad libbed the dream part. Anthony Lewis writes:

A remarkable fact of which I was unaware is that the last third of the speech — the part about the dream — was extemporized by King. He had a text, completed the night before. But as he was addressing the crowd, protesting the indignities and brutalities suffered by blacks, he put the prepared speech aside, paused for a moment and then introduced an entirely new theme.

“I still have a dream,” he said. “It is a dream deeply rooted in the American dream.

“I have a dream that one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.’ ”

With that quotation from the Declaration of Independence, King made clear that his vision of the future for black Americans was for them to be part of the larger society, not embittered opponents of it. He reiterated the point a few minutes later. Faith in his dream, he said, will bring a day “when all of God’s children will be able to sing with new meaning, ‘My country, ’tis of thee, sweet land of liberty, of thee I sing.’ ”
(...)

Why did King abandon his written text that day at the Memorial? It may be, Sund­quist suggests, that despite shouts of approval he felt he had not really connected with the audience. His wife, Coretta Scott King, thought the words “flowed from some higher place.” In any event, the result was for the ages.

“Speaking suddenly from the heart,” Sundquist writes, “he delivered a speech elegantly structured, commanding in tone, and altogether more profound than anything heard on American soil in nearly a century. In the midst of speaking, King rewrote his speech and created a new national scripture.”

Video: Martin Luther King, Jr, I Have a Dream

Friday, December 05, 2008

the race run


We didn't want the right wing to get hold of the book.


Publisher Dr. Haki R. Madhubuti explaining why Bill Ayers and Bernadine Dohrn's new memoir, Race Course: Against White Supremacy, which was originally scheduled to be published by Third World Press last spring, was held back until after the presidential election.

According to Chicago Magazine the book will be released in February.
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