Sunday, June 22, 2008

vaer saa god

spot the tomte

Expected to spend a few brief hours at Swedish Days in Geneva, Illinois yesterday -- down a little kringle, admire the Lutheran ladies’ rosemahling, wander through the vendors’ stalls and then head on home for a nap. But things took a turn when we went looking for the Viking ship.

The Viking was built in Norway just a few brief years after the gorgeous Gokstad was unearthed in Norway in 1880 -- a stunning wooden ship that was probably built around 890 A.D. and is now housed in the Viking Ship Museum in Oslo.



Chicago, being brash Chicago, suggested that Norway should send over the precious artifact, thinking it would be cool to display it during the World's Fair in 1893. Norway wisely said no. But some Norwegians got the idea that it would be equally cool to build a replica and sail it across the Atlantic to Chicago. (Crazy Norwegians.) So that’s what they did.

The Viking sailed from Bergen, Norway to Chicago in time for the World’s Fair, and was met at each port, our guide told us, by Scandinavian immigrants waving flags and offering free meals. It did a brief tour after the Fair down the Mississippi to New Orleans, and then sat and moldered for a long while after that in Lincoln Park, and today is undergoing extensive renovations in the skilled hands of master boat builders under a big tarp in Good Templar Park in Geneva.

And here is where our story begins.

After a whole lot of hunting we found the park which was difficult to track down because it wasn’t situated like you would expect a city park to be -- reason being: it’s not a city park.

Good Templar Park is a privately-owned Temperance Park, established by the International Organization of Good Templars in the early 1900s to provide Swedes with a teetotalling alternative to the raucous Swedish Days which were then being conducted up at Ravinia.

We bought tickets, which seemed steep at ten bucks, and wandered over to the Viking ship tent, poked around under the canvas and circled the stripped down hull. I took some shots of plumb lines and rusted screws and grumbled about how much cooler the real one is in Oslo while we waited for our guide to get started.

what am I?


The guide, a retired school teacher full of heart, did a great job of redeeming the hull, telling us about its construction and its passage and its restoration -- and how excited the kids get when they come to visit. But the real prize came unexpectedly when we were handed off to another fellow for the “Cottage Tour”.

Turns out there are 52 small cottages nestled away in Good Templar Park, built from between the park’s inception until today, hidden in the understory of ancient high-arching hard woods. Cottages are still being built, albeit according to strict guidelines ordained by the park’s residents. Cottage owners own the cottage only -- the Good Templars own the park land.

Our guide took us into the shady recesses of the park and through a few of the cottages: Most of them clapboard, one stunner made of rough hewn logs, the majority still populated with the early cast iron or propane stoves that were installed when the cottages were first constructed.

We crisscrossed a dry stream bed on foot bridges built by residents and descended at one point into a hollow on a staircase made of rough cherry wood and birch trees that had fallen during a storm in the park.

blue cottage


The cottages are occupied by their residents from late spring through early fall and none of them have true toilets -- they all share a common washhouse in the center of the park, near the Meeting House -- although a few have installed chamber pot like thrones and one matriarch has an electric toilet: “the pride of the park” we were told.

To own a cottage in Good Templar Park one must be, in fact, a good Templar, and sign an oath to abstain from alcohol and illegal drugs. The Good Templars were heavily invested in America’s Temperance Movement and eventual Prohibition, and are still proud of the fact that their little park remains a dry pocket in an inebriated world.

tomte, tomte everywhere


The few residents we met were sweet souled folk and generous, to let us tromp through their summer homes. One gentleman greeted us on his stoop with a formal welcome that he wrote out by hand on paper torn from a spiral binder; another cottage owner took us on a story-rich detailed tour of all the “Scandinavian Art” that she cherishes (painted plates and textiles; straw creatures and LED-lit battery operated candelabras).

Tellingly, there was evidence in each conversation that this place in the woods was their safe place.

It’s impossible to speak of safety, of course, without implying its opposition -- danger -- and the residents that we met bore that tender bruised look of folks who had been hurt by addiction: Either theirs or another’s. Adding to the sense that we were walking through a place of refuge were the little garden gnomes (like the little fellow in Amelie) who stood sentry around nearly every home.

tomte on posts


If you’re of Scandinavian descent -- and the majority of the residents at Good Templar are of Swedish or Norwegian ancestry -- you know that that these gnomes are called Tomtes or Nisses, and are fiercely protective (and vindictive) house spirits who resist change and will ensure the safety of your home so long as you follow the rules and provide the proper attentions. (Porridge with a pat of butter served after dark is one.)

I’ve always dismissed garden gnomes as tchotkes, but I couldn’t dismiss them at Good Templar. They were of such abundance and variety -- peering out from door stoops and through windows -- it was as if they were breeding in the woods.

There was something solemn in their presence that reminded me of the pride of place given to Spirit Houses in Thailand, used to attract benevolent spirits, through offerings and sufficient shelter, to look after the home and its residents and to keep them (the spirits) out of trouble.

David, our guide and, we soon came to learn, an influential committee member who has a say in who’s let into ownership in the park and who’s not -- said to us as we first approached the park: “The only change to come to Good Templar will be evolutionary, not revolutionary” and you could feel it in every shady grove of that place: The invitation -- and perhaps the expectation -- to sit down for coffee with friends; to share some pastries and talk about the world. Talk about the way it is; the way it always will be.

To simply sit and be.

the tomte: they are everywhere


Good Templar conducts Cottage Tours only twice a year, two weekends in a row, starting with Father's Day weekend and extending through Geneva's Swedish Day celebration. They're also holding a summer concert series -- and lucky for you I grabbed a flyer with this season's schedule:

The Midway Ramblers Cajun Band
August 2nd

Phil Cooper and margaret Nelson
August 23rd

Charlotte Madeline
September 27th

Tickets are $10 each unless you're a member of the International Organization of the Good Templars -- then you get a discount. Call 847-845-2640 for yours, or show up at the gate at 528 East Side Drive in Geneva, Illinois.

Saturday, June 21, 2008

what am I?


Go 'head: guess.

litter only


litter only
Originally uploaded by suttonhoo
Just outside the Geneva Public Library.

Geneva, IL
Posting by cameraphone

under wraps. in the rain.

NY Public Library: Under wraps. In the rain.

I love the New York Public Library in Midtown Manhattan. I love the little hotel that I usually stay at because it's right there, near the library. I love that our NY office is just a block or two away. I love the Rose Reading Room, where I can camp out and get some work done in all that light and space and on those lovely long tables lit by those beautiful copper lamps.

A long long time ago I designed the information architecture for the Seattle Public Library's web site where I proposed a component of their site design that they still use today -- a library locator that, when selected, takes the visitor to a page that's dedicated to their local branch. I know: seems like a no brainer today. ;) But this was before MapQuest even (I'm pretty sure) and the Seattle Public Library was working hard to get the public behind funding of a new downtown library building, and they kept hearing complaints from folks who said "MY library is my LOCAL branch." So we wanted to make that idea clear and inclusive in the information architecture of the site. Which we did. [1]

I learned a few months after it went live from my SPL client that she met with the folks from NYPL and they commented that they really liked that locator feature. So guess what they did? Yep: got one of their own.

So yeah: there is a little piece of me that is over the moon happy to think that the NYPL has a little piece of me on their website. Because that part that's stored deep in my heart? The one that loves climbing those double branching stairways and double dog digs the marble washrooms: it's the deep heart parts that are often the hardest to see.


[1] And a footnote: The original execution -- which is not longer out there -- had all of the branches displayed as links on screen in the right hand rail. It's now a dropdown menu which I don't dig as much. It doesn't tell the story in the same way: It doesn't have the same heft that says "We are Us."

Friday, June 20, 2008

nada.

Vigorous writing is concise. A sentence should have no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. — Strunk & White

Write nothing that is not necessary.


and the rocks melt with the sun


When I was in 9th grade and all of 14 years old? I was cast as Martha Muldoon, a failed stage actress, in Blazing Guns at Roaring Gulch: a Western melodrama scheduled to debut during our school’s annual talent show.

Mine was a bit part -- nothing like the time I commanded the stage as Penelope the Pride of the Pickle Factory in the 6th grade -- during which I was responsible for 1) reciting the Robert Burns poem My love is like a red, red rose in its entirety, punching up the hyperbole (I was a failed actress after all), and 2) wearing a tight gold lamé gown that clung all the way down until it flared at my feet like a mermaid. It was accentuated with black crepe that circled me like a vine.

I learned two things from the production: 1) that the Robert Burns poem, once learned, will never leave you (and still it comes to mind every time I spot a red rose, and did again this last weekend when I trimmed my giant rose bush and arranged the blooms -- of which this is one -- in a yellow pitcher that sits on my kitchen table).

I also learned -- through the ardent attentions of a really cute high school boy who came to the production as a friend of a friend (don’t worry, Dad: it didn’t go anywhere) the power of a tightly fitting gold lamé dress. It’s a little startling as a girl of 14 to learn these things -- but you’ve gotta learn sometime, I guess -- about the power of sex of revealed, or partially concealed. It’s still a little unnerving to me, as an old woman now, how a little too much cleavage can make some men stupid (yet somehow endearing), how delightful that kind of attention can be, and also how unsettling.

My love is like a red, red rose
That’s newly sprung in June :
My love is like the melody
That’s sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in love am I :
And I will love thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun :
And I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only love,
And fare thee weel a while !
And I will come again, my love,
Thou’ it were ten thousand mile.

— Robert Burns

Thursday, June 19, 2008

how do you spell del.icio.us?


Sidereal started it.

aka: my del.icio.us tagcloud done up all pretty like.

ticket to ride

have a seat

You need to push hard into the wind, [using] a big gear, for at least six minutes and no longer than 45 minutes [once or twice a week] to get the aerobic benefits of climbing big hills.


Cyclist and flatlander Christian Vande Velde, who trains outside Chicago, speaking to how it's possible to simulate altitude in this godforsaken terrain in today's New York Times.

Okay. I'll give it a try. (Doesn't mean I won't still long for my daily ride up Sunshine Canyon, just outside Boulder.)

And I'm guessing the descent won't be as much fun.

old dog, new trick


A Thomas Smillie cyanotype from the Smithsonian Collection -- which is now available on Flickr along with 862 (at this count) other copyright-free imagery from the museum.


There's something about the Smithsonian -- "the world's largest museum complex and research organization" -- using Flickr to share its copyright-free imagery with the masses that would have been remarkable once upon a time.

But today makes perfect sense.

Although interestingly the Smithsonian has opted to permit downloads of the assets, but has not enabled blogging or cut and paste html syndication of the imagery. Hmm.

The Smithsonian's Flickr Photostream »

Also of interest: the Smithsonian has posted a robust set of cyanotypes by Smillie -- whom they bill as "The Smithsonian's First Photographer" -- and they're lovely »

Thanks boing boing!

Wednesday, June 18, 2008

dance like nobody's watching


Ms. Charisse said that her husband, Mr. Martin, always knew whom she had been dancing with. “If I was black and blue,” she said, “it was Gene. And if it was Fred, I didn’t have a scratch.”

The dancer and classic film star Cyd Charisse from a 2002 interview, quoted this morning in her obituary in the New York Times.

Cyd Charisse passed away on Tuesday at the age of 86.


Video: Cyd Charisse in Meet Me In Las Vegas

Tuesday, June 17, 2008

me & my shadow


disclaimer: not my bike. just my desire.

holga.

the mundaneum

card catalog

From his armchair, everyone will hear, see, participate, will even be able to aplaud, give ovations, sing in the chorus, add his cries of participation to those of all the others.


Paul Otlet, father of the Mundaneum, a paper based system that prefigured the hyperlink in the early 1900s, speaking to what he imagined his device would make possible. The Mundaneum, and museum that honors it in Mons, Belgium, is featured in today's New York Times.

Monday, June 16, 2008

take out


Oakland, CA

part of the mission

a found poem

Part of the mission
of this way of writing
is to go down into the cellars
of language and unlock
long buried relationships
between words

"Im Verlassenen" is an invention
formed from the verb
verlassen

to leave, desert, abandon

"Im Verlassenen" means something
like in a place of essential abandonment

it draws to the surface
the derivation of Verlies

the word for dungeon
from verlassen

A Verlies
a place
where you
are abandoned



Found in Nicholas Spice's piece Up From the Cellar in the 5 June issue of the London Review of Books about Elfriede Jelinek's essay Im Verlassenen. Jelinek's essay concerns Elisabeth Fritzl, who was imprisoned by her father in the basement of their family home for 24 years.

Sunday, June 15, 2008


california roll with shadows

in Disney's Japan they dined on synthetic crab

this act of kindness

a found poem

There was No. 1009
an 80-year-old paraplegic
white-bearded grandfather
who clung to me
when it was time
for me to leave

No. 1154
43-year-old
Dr. Ali Shah
choked back tears
as he recalled
the last time
he saw his daughter

No. 1021
Chaman Guil
crouched in his cage
and wept out of fear
that his family
would forget him

No. 977
Izzatullah
a six-foot Afghan
granted permission
to view a home video
of his family
who he had not seen in
five years

When he saw his
children on tape
he inched closer
to the screen
laughing and weeping

Finally he said
For the rest of my life
I will remember this act
of kindness



Mahvish Rukhsana Khan, writing in the Summer 2008 issue of the magazine of Amnesty International about the men she met while acting as a Pashto translator at Guantanamo.

Khan is now a lawyer and the author of My Guantanamo Diary: The Detainees and the Stories they Told Me.

speaking of water


Video: Think About Your Troubles from Harry Nilsson's The Point


Watermyth has gone public: the blog is receiving posts from anyone who has something to say about Water.

Learn more »

Or email your watery post to " watermyth [at] gmail [dot] com "

nothing that you do not know to be useful or believe to be beautiful



I'm not interested in how we can make materials sparkle and glimmer and make them visually spectacular, but how we can make them performatively spectacular.

Architect Eric Olsen in the May issue of Metropolis magazine, commenting on his winning entry -- the pleated bucket -- in the 2008 Next Generation design competition.



Constructed from pleated tarpaulin, the pleated bucket takes a cue from the Saguaro cactus -- each of its pleats expands as it fills with water. The "bucket" -- which is actually more shawl like, designed to be worn in just that way to transport water from one place to another -- will disinfect the water it contains when set out in the sun for five hours.

winter cactus



Illus & Photo: Metropolis

Saturday, June 14, 2008

historic marker


That building to the right with the Chinese lanterns? That's the Legendary Palace in Oakland, CA (shot the week before last) where once upon a time b1-67er and I had legendary dim sum (almost entirely by accident) and the World's Best Mechanical Engineer refused to eat his greens (but had no problem putting away the pork) and later I'd shoot a bunch of pics at the Oakland Bonsai Gardens just for fun that Mastercard would pay four hundred whole dollars to use as part of their online Priceless Picks campaign.

Honest. All true.

And if it weren't for Flickr that last part wouldn't even have happened. (Thanks, Flickr.)

But Flickr had nothing to do with the dim sum.

Which was legendary.

Friday, June 13, 2008

bodies at rest and in motion



holga.

final mile


final mile
Originally uploaded by suttonhoo

Feeling the tug of the barn. Almost home.

homage to the square


homage to the square
Originally uploaded by suttonhoo

With apologies to Josef Albers,
who was also there.

Grand Rapids Art Museum
a little bit earlier today.

yep: wet. and as big as my head.


yep: wet. and as big as my head.
Originally uploaded by suttonhoo

Fortifying for the road home with
a (could be spicier) spicy pork burrito.

Posting by cameraphone from
Tacos el Ganadero
Grand Rapids, MI

Thursday, June 12, 2008

5 / 7 / 5

Me, me, me, me, me.

Stephen Colbert's Webby Acceptance Speech


Since their inception in 1999 The Webby's have insisted that winners constrain their acceptance speech to five words.

This week I caught wind of a dinner event held tangentially to an industry conference here in Chicago. (Yeah, no, not the super cool WWDC. That wasn't here.)

Traditionally it was "online retailer only" dinner and vendors were left at the door. But in recent years vendors -- folks with something to sell to retailers -- have been invited in under one condition: that they prepare and read a haiku to the assembly.

The retailers then vote on which vendor presented the best haiku -- and that vendor (and only that vendor) has 60 seconds (and only 60 seconds) to pitch their goods.

And then everybody eats in peace.

wayne -n- trisha


wayne -n- trisha
Originally uploaded by suttonhoo

Rest Stop along I-196N
inbound to Saugatuck, MI

Posting by cameraphone

giant red ball...


giant red ball...
Originally uploaded by suttonhoo

... in the lobby of the Chicago
Cultural Center.

Go figure.

Posting by cameraphone
from the Loop.

Wednesday, June 11, 2008

refresh yourself


Epcot's Africa
Orlando, FL

holga.

all your base are belong to us


Source: Common Wealth, Economics for a Crowded Planet by Jeffrey D Sachs, cited in this morning's Financial Times.

Tuesday, June 10, 2008

long tall drink of water


long tall drink of water
Originally uploaded by suttonhoo.
(I've been called worse.)

McCormick Place
Chicago, IL

Posting by cameraphone.

equitable terrain

xela walk

When you construct a good sidewalk, you are constructing democracy. A sidewalk is a symbol of equality.

Enrique Peñalosa, former mayor of Bogotá, Colombia, in Sunday's New York Times Magazine.

Monday, June 09, 2008

the architecture of dread


the architecture of dread
Originally uploaded by suttonhoo.
Sports Stadiums. Shopping Malls.
Convention Centers.

I don't like the way they make me feel.

(Well, maybe not all sports stadiums.)

Posting by cameraphone
from McCormick Place
Chicago, IL

of Batman, Superman and the Marquis de Sade


Life Magazine, 1960s sometime

Really wanted to find out what the headline was all about, but didn't want to spend the $35 to do it.

Printer's Row Book Fair
Chicago, IL

Sunday, June 08, 2008

4 wheels good 2 wheels better


Michigan Avenue, mid-morning
Chicago, IL

go speed racer go


Video: Original Speed Racer Opening

Right. I know. I was supposed to hate the Wachowski brother’s Speed Racer, the movie that the Rotten Tomatoes Tomatometer gave a 36 out of 100.

But I didn’t.

It might have had something to do with the ISCO OPTIC(R) Ultra-Star HD Plus Film Projection Lenses (to achieve optimal screen luminance and image resolution) [1] that the Cupertino 16 served it up with. (Right. Not my words. Try this for more on that »)

The projection definitely meant the film was a treat of pure radiant heat served up in saturated jewel tones. Maybe I wouldn’t have dug it so much if I saw it in a regular theater.

It might have had something to do with the funky pacing of the dramatic scenes, but now as then they were always offset by the heart racing time on the track. And every little vocal inflection sounded under anyone’s breath made me grin like a goof because of the way it mapped so tightly back to one of my favorite memories of the cartoon.

It might have been the groovy soundtrack that had a good beat and was easy to dance to.

Or maybe it was just the good company of b1-66er and his willingness to share his gummy treats.

There was no deep reflection, characters were not transformed by their heroic journeys -- tested maybe, but we knew their mettle at the outset -- there were only good guys and bad guys and middle of the road guys who had to make a decision about what kind of guy they wanted to be. And of course no where was it addressed that it's ludicrous to believe that burning all that petrol in a car race could possibly get us any closer to solving big problems.

What it was was wholly predictable and entirely simplistic and so much fun to watch.

And that’s all right by me.

p.s. except for that stupid Spridle. I never did like Spridle.

land of lincoln


land of lincoln
Originally uploaded by suttonhoo.
Grant Park
Chicago, IL

Posting by cameraphone

Welcome home. It's 1AM. Here's your traffic jam.

Construction season in Chicago.

Posting by cameraphone from
the Ike. Yeah. I'm driving. But no
danger: I'm not moving.

Saturday, June 07, 2008

when you're strange


when you're strange
Originally uploaded by suttonhoo.
Someone left a Seattle Stranger behind
at SFO. I feel like I just found free money.

Posting by cameraphone
from SFO. Homeward
bound.

Friday, June 06, 2008

young wine


young wine
Originally uploaded by suttonhoo.
Good day at bat.
Hello weekend.

Posting by cameraphone
from Napa, CA

Thursday, June 05, 2008

this must be heaven...


this must be heaven...
Originally uploaded by suttonhoo.
...because just about everything in heaven is covered in glitter.

Posting by cameraphone from
Oakland, CA

Jack slept here.


Jack slept here.
Originally uploaded by suttonhoo.
Sorta.

Jack London's Cabin on Jack London Square in Oakland, California.

Built from the logs of a cabin that a fan is pretty sure Jack wintered in up in Alaska. The fan shipped half of the logs to Oakland, and half of the logs to Dawson City, Canada. From there each town did what they could with what they had.

It's a squat little cabin with a sod roof and grilled off windows. A scattering of folksy log cabin like artifacts fill the interior. Folks toss coins through the grillwork (for luck I guess? a steady quill? the nerve to write like London did?) and a sign on the wall says that all proceeds go to UNICEF. The cabin sits in the middle of a spare brick lined square with some vegetation -- young trees and prairie grasses -- looking out over a harbor filled with luxury craft.

It's 4 o'clock in the afternoon and this whole place has that lonesome feeling of being forgotten.

What I think? I think it would depress the hell out of Jack.

Posting by cameraphone from the Bay Area.

where I'm at


where I'm at
Originally uploaded by suttonhoo.
(for the next little while, anyway)

Posting by cameraphone
from San Francisco, CA

ORD 6.38 Central


ORD 6.38 Central
Originally uploaded by suttonhoo.
Chicago O'Hare
United Terminal
Outbound to SFO

You know the drill.

Posting by cameraphone

Wednesday, June 04, 2008

good morning, america.


It's no secret that Barack Obama is my candidate.

Excited and scared this morning in a first kiss kind of way.

Long road ahead. Let's get this thing done.

Tuesday, June 03, 2008

found.

Photo: Weegee


It rains every day and we can’t find 2 midgets, so it looks like I’ll be here at least 2 more weeks.


The photographer Weegee, from papers which are now part of the collection of the Indianapolis Museum of Art along with a whole trove of photographs recently found at a garage sale in Kentucky -- and nearly tossed away as rubbish. As reported in this morning's New York Times.

Hmmm: Indianapolis isn't all that far from Chicago...

I think I hear a road trip calling.

Although no word (in the article, at least) about if and when the photographs will be on display.

das pintele yud

imaginary boundaries

One of the central purposes of the exhibition is not only to explore the way maps summon national identities but, conversely, to investigate the way they function to force other identities out of locations.

Curator Rhoda Rosen writing in the catalog of the exhibit Imaginary Coordinates showing now at the Spertus Museum through September 7, 2008.


The Spertus Museum wasn’t on the docket for Sunday. The plan was to hit the matinee showing of The Thomashefskys: Music and Memories of a life in Yiddish Theater at the CSO, a show that held a lot of promise if you don’t mind (and lord knows I don’t mind) running in circles that trend twenty to thirty years my senior and concern themselves with things like the Yiddish Theater in America that took root in New York’s Lower East side the last time we got all worked up over the unstoppable tide of immigrants landing on American shores.

That time it was the Irish and the Ukrainians and the Poles and the Russians who were Gilding our Age -- and a fraction of those pouring in from Eastern Europe were Jewish. The story told at the Symphony, as it was patched together by Michael Tilson Thomas, the music director of the San Francisco Symphony, concerned two of those immigrants who also happened to be Thomas’ grandparents and two of the leading lights of that Yiddish Theater: Boris and Bessie Thomashevsky.

It was unexpected that we’d have a couple hours to kill before the show, and the Spertus had been on the list of things to see ever since Blair Kamin mentioned its remarkable architecture in the Trib and we stopped by briefly with half an hour to spare sometime back to see what was doing only to discover that they wanted a good chunk of change to get to the ninth and tenth floors where the exhibition and the collections are.

Time being short we took a pass then, poking around the library instead and digging the amazing video work at the top of the stairs by the cafe (that g*d*it I didn’t take notes on), but on Sunday we circled back with our hour and half, which by the time the guide [1] was ready for us had diminished to 45 minutes. We were the only ones under her charge so she was kind enough to trim it back and gave us the floor show in the time allowed.

What we saw was this: An exhibit which I incorrectly called Imaginary Boundaries in an earlier post -- it’s actually called Imaginary Coordinates -- about mapping the thing that you might expect a Jewish American Museum to put on a show about: The Holy Land.

In a way that you might not expect from a Jewish American Museum: From an attempted non-partisan point of view.

“Attempted” because of course the place itself imposes a point of view, and you could feel the tension in the room. There was a fair amount of heat generated by the couple who we picked up in the elevator, who rode up with us, asked a few barbed questions about what was going on here and then politely excused themselves from our guide’s good graces.

We saw them later taking their seats at the Thomashefsky show. Maybe they were just in a hurry. Maybe they weren’t put off by the fact that artifacts from both sides of the conversation shared equal space; by the fact that a map rendered from the memory and by the hand of a Palestinian man in exile to describe his home village which no longer exists, was provided equal real estate alongside the hand-drawn storyboard that a father bound for Auschwitz (who would never return) drew for the four-month old son whom he tucked away in hiding, the storyboard outlining the life that he hoped for him -- his safe survival, his potty training, education, marriage, and finally, “next year in Jerusalem!” (The storyboard compelled the small boy, grown to man, to move to and settle in Israel.)

Maybe they weren’t put off by any of that -- but they sure were cranky.

Although Imaginary Coordinates is part of the citywide Map Festivus that’s been running for a little while now, the maps themselves -- among them elaborate Dutch maps from the 15th century, British renderings from World War II, a map of the Geneva Initiative from 2003 -- all of them the works by men, are offset in the exhibit by contemporary artworks, all of them the creation of women who have some connection to that same hotly contested piece of land.

Remarkable among them was Shirley Shore’s 2004 Landslide composed of a sandbox arranged to resemble a desert topography over which is projected in real time:

a square grid of blinking color cells generated by a code. Beginning each sequence with a palette of sixteen colors and thousands of color cells, the map gradually transforms as cells appropriate neighboring areas. When two colors ultimately dominate the grid, the program stops and begins anew. Landslide operates on an infinite loop in which each cycle produces a different map and a different visual experience. [2]


I asked the guide what the algorithm was that drove the colors in their consumption of one another -- she was unsure but speculated that it was the larger color blocks that swallowed the smaller ones with which they collided. The impact was remarkable: a strange camouflage that morphed into a topographical map and then began again.

As you might expect it was impossible to experience an exhibit like that, marking as it does the 60th anniversary of the modern state of Israel, without the hovering awareness of who is conquerer and who is conquered in this equation -- even with the careful attention that was given to both sides of the narrative.

intermission


The contrast then, with the Thomashevsky show, was to be reminded of the diaspora, the thing that came before all this by just a few brief years; Jews without a home struggling to make America theirs.

The Thomashevskys were remarkable showmen but they were social activists too, providing theater for the Jewish community (in the Yiddish language, which felt like home) about the trials that they faced in this new place. One of their most popular running conceits was of the “green” immigrant and his and her comedic struggles and ultimate triumphs in their new world.

When their drama-ridden personal lives resulted in a split (but never divorce) Bessie Thomashevsky created a new theater and went to town with treatments of women’s issues like suffrage and birth control that sold out houses -- the Jewish Suffragette was one of her most popular roles.

The show was light spirited and entirely enjoyable (although maybe a little too precious, given that it was a treasure served up by a loving grandson who held his subjects a little too close), but the contrast that it presented to the Spertus exhibit was remarkable. In the CSO show the theme of liberation was unmistakable: It vouched for the freedom to live a creative life and to fiercely claim human rights for oneself and one’s community. One of the more memorable themes that defined one of the Thomashevsky’s biggest blockbuster was Das Pintele Yud (sounds like: "das pintela yee"), which spoke to something ineffable and untranslatable from Yiddish -- a grammatical mark that symbolizes (what the song board attempted to translate as) the “spark of Jewishness”. Working, striving, inexhaustible. Rich, spirited, alive.

Brilliantly uplifting in the context of the immigrants’ underdog story on foreign shores. Wholly unsettling (confronted hard on the heels of the quick sprint we made down Michigan Avenue to bridge the distance between the Spertus and the Symphony Hall) when the underdog has become ubermensch, and a chord change has been sounded.



[1] The Chicago Tribune reported in May that Imaginary Coordinates “closed earlier this month for organizers to re-evaluate content, [and] reopened with the major change being that visitors now must see it on guided tours beginning at the head of every hour. Nearly everything else is unchanged, meaning the show is still the most surprising of the eight with art in Chicago's Festival of Maps as well as a rewardingly unconventional commemoration of the 60th anniversary of Israel's founding.” Coordinates' Rewardingly Unorthodox by Alan G. Artner (May 22, 2008)

[2] Imaginary Coordinates (Spertus Press Chicago)

Monday, June 02, 2008

fob off


fob off
Originally uploaded by suttonhoo.
Car's in the shop, so I'm driving a fancy loaner. It's one of those no key just a fobber jobbers, and I spent a stupid and pitiless few minutes trying simply to make it GO, thinking that maybe it drove like the push button rental Prius that stumped me in Virginia a little while back. (Which, btw, I loved -- even with no key.)

At least the loaner provides a slot for the fob, which you depress to fire up the engine. A friend of mine drives a car that requires only that the fob be with you, and gives you no ignition slot to receive it. What are you supposed to do: put it in your pocket?

Apparently: yes.

The fob solution strips out one of the more satisfying tactile haptics about driving a car: the feeling of sliding it in, hearing it click, and turning it to go. Sure yeah it's suggestive of something carnal and crude and entirely piston-driven. THAT'S OKAY WITH ME.

Not to mention that this design trend away from the key in favor of the fob deprives us of one of our more satisfying metaphors: because, honestly, why would I *want* to give anyone the fob to my heart?

Right. No. I wouldn't.

Sunday, June 01, 2008

intermission


intermission
Originally uploaded by suttonhoo.
Grainger Ballroom
Chicago Symphony Orchestra

Just enough time to score a cup of coffee and a Santander chocolate bar.

Saaannntaaannndeeer. (I can only speak for the dark, but it's the best.)

Posting by cameraphone from the Loop.

imaginary boundaries


imaginary boundaries
Originally uploaded by suttonhoo.
Stopped by for the architecture, got bowled over backwards by the Imaginary Boundaries exhibit at the Jewish American Spertus Museum on maps of Jerusalem, the marketing of nationalism, and representations of place and country as woman.

Wow.

Spertus Museum
Chicago, IL

Posting by cameraphone
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