steelroots

steelroots
Originally uploaded by suttonhoo

Took a break from packing and uprooting all that is with a brief walk through the Morton Arboretum this afternoon.

Came across Steve Tobin's Steelroots installation -- the best thing the Morton has installed in an awfully long while. Actual and abstracted root structures executed in steel anchor into the landscape.

Soothing somehow, and strong. Deep roots surfaced; reminders of why they matter anyway.

Recommend it. Both the rooting and the walk.

Now: Back to packing.


Originally posted by cameraphone, then updated.

vestiges

Saw Spring. About 2,000 miles from here.

It's everything I remember.

But it's not here yet. So until then: more pictures of dry dead things »



Shot this afternoon at the Morton Arboretum in Lisle, IL.

into the woods

I wanted to love Xanadu, Patrick Dougherty’s new installation at the Morton Arboretum in Lisle, but I found myself vaguely disappointed.

Not in the sweeping forms that made up the walls and revealed the windows and doorways of this free-standing structure composed entirely of slender reeds; not in the way the rooms fold in on themselves and lead you, meandering, to the central room which pulls your gaze upward through the open dome -- it was the way he topped it off that disappointed me, and maybe a little bit of the scale, which felt too puny, too much like a playhouse, too much for the kids.

Not that I’m not into sharing, and not that I didn’t enjoy the kids running around saying chase me, chase me to their grownups; the growling and spooking and hiding and surprising in half a dozen different languages. (And thinking: isn’t that what any of us want, really, to be chased, to be wanted, to be found?)

It’s the ill-conceived dome, like a granny's topknot, that makes Dougherty’s installation (which will be at the Arboretum through the year, to experience all four of the seasons) feel like artifice, like something “brought in” instead of grown from the soil, nothing like a Goldsworthy installation, organic to the place – as ancient as it is new.

But I'll go back, and maybe it'll grow on me as the seasons change. Maybe.

Patrick Dougherty’s Xanadu
At the Morton Arboretum
4100 Illinois Route 53
Lisle, IL 60532

Patrick Dougherty’s website, Stickwork.net »

koko & lonnie singing in the trees

kaminaljuyú cloud ridge
Originally uploaded by suttonhoo.

Koko Taylor, if you’re wondering, is tired. Of the tunes she belted out for us last night in the perpetual solstice twilight of the Morton Arboretum, the only one that carried any heft and heart was her closing number -- her lullaby “Bye-Bye”. She sang it like she meant it – like she was ready to be done.

The Queen of the Blues has been at this a long time, after all, and her health isn’t what it was.

Fortunately she was wise enough to off-set her stiff footed stomping with that old diva’s trick of filling the stage with beautiful, talented men – the Koko Taylor Blues Machine carried her through with some gorgeous, supportive playing -- but even with all that support she still found room to berate them, like a babushka, when they cut off one of her tunes too quickly instead of tamping it down to something mellow she could speak over for awhile. Reviews from the Blues Festival a few weekends back were tepid, so it was expected, but a disappointment still.

Love you, Koko. Hope you’re feeling better soon.

Lonnie Brooks, on the other hand, who opened for Koko (and opened it wide), brought it home for the people. Great playing, great delivery – the kind that makes you dance in ways before unknown – like a body possessed. New moves with each new tune, as Lonnie sang his way through the great Blues trinity:

1. Gettin’ none.


2. Gettin’ some.


3. Gettin’ ready to get some more.

Brooks was ushered in by his son, Wayne Baker Brooks, and a fellow named Andre Howard on bass – all told these good men held this girl close and cradled her for close to two happy hours. Yes, please. I’ll take me some more of that.

The biggest disappointment of the night was the audience, of course. I say “of course” because we were in the Western suburbs. This was my first experience on the Morton Arboretum’s Concert Lawn, not a bad venue, but big and broad like these lawns generally are, without any retaining walls or landforms to capture the applause and excitement into the kind of loop that feeds the crowd into further frenzy. So what little expression could be eked out of our mostly-white, mostly-suburban, mostly-middle-aged brethren dissipated on the air.

But the blues wouldn’t be the blues if there wasn’t something to kvetch about. The cursed 17-year cicadas kept their distance after all, and when the sun finally set the fireflies came out, punctuating the cool air with their brief bursts of flame.

Not a bad night.