Rome is a love letter to the lush, swinging sound of a vanished era of Italian film history. Ennio Morricone is the best-known composer to emerge from it but there were numerous others too, such as Piero Umiliani and Piero Piccioni, who serviced the needs of Italy’s thriving popular cinema, churning out scores to romantic melodramas, horror films, spaghetti westerns, erotica and the pulpy crime fantasies known as gialli.
From Roman Holiday, a write up of the upcoming release of Rome by Danger Mouse and Daniele Luppi, in the weekend edition of the Financial Times.
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