Showing posts with label hiroshi sugimoto. Show all posts
Showing posts with label hiroshi sugimoto. Show all posts

Tuesday, May 18, 2010

empirical

"Lightning Fields 013" (2006).
Gelatin silver print, 59 x 47 in.
Hiroshi Sugimoto

In 1831, Michael Faraday’s formulation of the law of electromagnetic induction led to the invention of electric generators and transformers, which dramatically changed the quality of human life.

Far less well-known is that Faraday’s colleague, William Fox Talbot, was the father of calotype photography. Fox Talbot’s momentous discovery of the photosensitive properties of silver alloys led to the development of positive-negative photographic imaging.

The idea of observing the effects of electrical discharges on photographic dry plates reflects my desire to re-create the major discoveries of these scientific pioneers in the darkroom and verify them with my own eyes.


From Hiroshi Sugimoto's artist statement regarding his Lightening Fields.

Related: hiroshi sugimoto at sydney art biennale 2010 »

Friday, October 13, 2006

thank you, mr. sugimoto


One New York night in 1980, during another of my internal question-and-answer sessions, I asked myself, "Can someone today view a scene just as primitive man might have?" The images that came to mind were of Mount Fuji and the Nachi Waterfall in ages past. A hundred thousand or a million years ago would Mount Fuji have looked so very different than it does today?

I pictured two great mountains; one, today's Mount Fuji, and the other, Mount Hakone in the days before its summit collapsed, creating the Ashinoko crater lake. When hiking up from the foothills of Hakone, one would see a second freestanding peak as tall as Mount Fuji. Two rivals in height—what a magnificent sight that must have been!

Unfortunately, the topography has changed. Although the land is forever changing its form, the sea, I thought, is immutable. Thus began my travels back through time to the ancient seas of the world.

~ Hiroshi Sugimoto


If you’ve never gotten lost in a Hiroshi Sugimoto seascape, you should probably go do that now (keep clicking – it’s worth every page load) »
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