Monday, March 19, 2007

road trip


Urban views 2
Originally uploaded by lasse22.
Lasse[1] shot this in Copenhagen (click through on the pic for a map), but it reminded me in an instant of Seattle's concrete highways, particularly the spot where 520 swoops past the Arboretum and becomes the Evergreen Floating Bridge (something about the coming Spring and the rising sap that's stirring old moments into memories that float tender and close to the surface. Not always optimal -- some of these trigger tremendous longing -- but what they hey, I'm letting them have their way).

Since I was a kid I've loved the concrete forms of Seattle's highways. Only once did I mention this out loud, and that was to my Bompa as we drove under and along them.

At the time I mentioned it, my Bompa and I knew each other the way any of us know family -- through mostly those things we've experienced together. I knew him always smiling, easy to hug, and smelling sweet of gin. I knew him setting the metronome and teaching me and my sister to play Heart and Soul (which he would so soon regret, because we took to it too readily and played it too much) on the lovely Steinway grand that lived just a small flight up from the spacious living room where we would push my toddler brothers on the wheeled ottoman at breakneck speed down the twisting hallways that serpentined through the house.

That was, until he spotted us and told us to stop (being the ogre, spoiling our fun) because he anticipated (correctly I believe) that we would soon crash through one of the tall glass panes that lined the hallway.

I didn't know then that he designed that house. I didn't know that he traded one of his clients legal work for that Steinway, at a loss, and that this was common for him -- that too often he took care of clients who couldn't take care of him. And I didn't know that he loved sweeping architectural forms and the way highways plot the progress of man so much that when the Alaskan Way Viaduct went up he took his young family, along with my small father, out for a day of driving -- back and forth and back and forth along the elevated roadway.

He said nothing about my observation, but I remember the moment clearly because I knew I had said something right when I gushed over that beautiful highway, by the smile and look of recognition that flashed across his face.

The way he looked at me then, like you look at an old friend.

viaduct with moon


[1] In his spare time, Lasse stacks wood.

Sunday, March 18, 2007

perceivability


Elm Street: Salt & Pepper
Originally uploaded by ReyGuy.
ReyGuy's[1] Salt & Pepper shot reminded me in a rush of memory of an early morning long ago when I ran into my favorite high school teacher at the McDonald's down the block from the school where he was eating pancakes.

I was up at dawn because my family had moved across town, and in order to get to school in time (it was my Senior year and I didn't want to change school districts again -- I attended twelve different schools while I was growing up, across eight different school districts -- loooooooooooooong story) I had to get up while it was still dark to catch the only city bus that would get me to class in time. Sometimes I killed time at McDonald's where I worked an after school job.

So Mr. B was there (he was my British Lit teacher, and the cut of his beard and sweep of his hair made him look a little like Shakespeare) and, as he he had the habit of doing, he asked me what I had been thinking about lately.

How many adults ask that question of kids? Not "what have you been up to?" but "what have you been thinking about?" And then stick around to listen to the answer and engage you in a conversation about it. God bless him, he did it all. the. time.

So he asked me, and I told him that I was trying to get my mind around the idea that maybe, perceptually, folks saw things differently -- something as simple as the color red might look different in my brain than yours -- it might look like what I call blue, for instance -- and we could never really know, because we shared a language for these things that we learned relative to how we perceived them... So: Is my red your red? If your blue was projected inside my brain would I understand it to be blue? Or would I call it something else?

He took the plastic salt and pepper shakers in his hands and said something like: "That is fascinating. Is my salt your salt, or is it your pepper? What does it taste like to you? But it's even more interesting, isn't it, if you take it to the next level. When you ask yourself do any two people share the same idea about love? Or friendship? Do we perceive these things collectively, or are they unique to each of us -- and we just use the same word to describe very different things?"

I don't know. And I don't know that I'll ever know.

That conversation returns to mind often -- usually in the midst of a misunderstanding when I thought things were going a certain way only to discover that I had it all wrong. That the other person saw things very, very differently.

I suspect this is the thing that will always absorb the bulk of my energy: trying to understand how others -- the Others who matter, the Others I love -- see, feel, and experience this world. As well as I ever can.

Which I suspect will never be very well at all.


[1] ReyGuy is an old school newspaper guy who works in Dallas and shoots with straightforward wide open eyes. I can't get enough with his stuff. Start with his Klucker and the cop shot, and then work your way out from there.

Saturday, March 17, 2007

trout fishing in america


With apologies to Richard Brautigan.

blue skies


It's been brought to my attention that I shoot a lot of sky »

Friday, March 16, 2007

an american index of the hidden and unfamiliar


I look for something that is going to be seductive.
...

First and foremost it has to be seductive.


Photographer Taryn Simon speaking with Charlie Rose about her work.

Smith shoots strongly intentional shots in 4x5 format. And her idea of seductive may not be your idea of seductive.

Simon has a show at the Whitney called An American Index of the Hidden and Unfamiliar in which she "documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience."

Simon also had a show at MoCP in 2005 called The Innocents in which she photographed individuals who served time after being wrongfully convicted. Some of the work from that show is available on Artnet. This one intrigues me particularly, because wrongful imprisonment is my strongest ambient anxiety -- one which I suspect says more about the country I live in than the fears that live in my heart.

Here's a link to the Hidden and Unfamiliar book »

I've managed to misplace the link to the book spread -- will update as soon as I can google it down (I hate it when that happens -- when a search query morphs over night and you can't find the thing you were sure you left in plain sight...).

hi.


Austin, TX

Thursday, March 15, 2007

stuck in a groove

Confession: I have the bad habit of looping CDs over and over and over again. Especially when I’m on a deadline. You’d think I could just commit to iTunes shuffle and let it have its way with me, spinning me all over the musical spectrum that is my iPod. But for some reason I can’t do that. Sometimes I’ll shuffle through a genre. But mostly I stick with an Artist. Just the artist. Everything I might have by that one individual, but just that one.

I don’t know why that is, but there’s something about the groove and the pacing that reassures me and helps me stay on track.

Tonight there’s a deadline, and Otis Taylor is seeing me through. He’s been with me since Noon, and he’ll stay up with me past Midnight. I’m shuffling off just a couple of his CDs -- Respect the Dead and Double V – but if things get hairy I’ll make a trip to my friends at Apple and ask them for just a little bit more.

Because Otis is the friend I need tonight.

(Have you heard this guy? You won’t be sorry. Promise.)

at the window

prairie poppy

Broad daylight, and a man is peeing
against the building across the alley.
The storm is rolling in over the misshapen
skyline. I throw open all the windows.
Rain beads the screens, clogs
the tiny metal mesh. When the storm
has passed, water drains from the lawns,
sun streaks through the soaked trees
in marbled patches, bright draperies
of light decorate the brick apartments.
Outside, in the wet grasses, daffodils
bow in the damp breeze the way a woman
bent over a basin rinses her long, blond hair.


At the Window by Ann Hudson
Published in the March | April issue of Orion

Wednesday, March 14, 2007

girls got the goods

bonsai blossom

True to form, the popular girls remain the crafty ones.

There's the lovely Anne Bryant, who won my heart forever when I described, with a four-letter word for excrement, a big emotional entanglement I had managed to get myself into, and she said: "but shit makes things grow." And so it has. Anne crafts solutions (including jewelry, scarves, and notecards) as lovely as her own self over at Etsy:
anne bryant creative | crafting thoughtful solutions


There's the perspicacious April (aka rottnapples) who, I think it's only fair to make public, I turned on to Flickr once upon a time (and let me tell you it took some doing because I was her boss at the time and everyone knows bosses are to be humored but never listened to). She's always been turning out gorgeous imagery: now she's putting it on note cards for all the world to share. So send someone you love a cupcake. Or a robot. Or a superhero.
Creative Apples


The enigmatic Aija (aka zero), who was kind enough to send some crafty girl traffic my way not too long ago, and who makes wonderful little dangly things ("Jewelry for your Knitting") that I'm sure I don't understand how to use -- but if you knit, you do.
zeromarkers


The outrageously maternal Anniemcq whose wisdom never fails me, has several shops up at CaféPress -- here are a few:
Motherhood Changes You | Nostalgic for Outrage
I miss the United States


And patiently awaiting the return of heatherlorin, once she's wrapped up the small task of transforming her whole life into something entirely new.

the best things come

to those who wait.

(so tasty good.)

flickratio



The good folks at Flickr continue to win my admiration.

Today (maybe before today? but I only noticed it today.) they released variable home page templates -- easy enough to do with CSS support, but certain, I'm sure, to please the masses that are the collective creative force that makes Flickr, Flickr.



Also new: Collections in which you can organize sets. Yum.

In a case of odd timing, I was just reading Adaptive Path's interview with Flickr Founder Catarina Fake in which she notes that rapid development cycles in which little bite sized morsels are released -- and sometimes rolled back -- are one of the secrets of Flickr's success »

Disclaimer: No, I do not work for Flickr or receive compensation for mercilessly shilling their product. I'm just a Flickr whore with a prurient interest in user interfaces.

3.14


pie's all gone
Originally uploaded by suttonhoo.
Happy PI day.

(And happy birthday to Al, too.)

Speaking of numbers: I gave my cell phone number recently to a friend, and as she wrote it down she said "ooo -- nice color". Turns out she's synaesthesiac -- for her numbers and letters are each associated with a unique color, and in combination they create a unique hue.

For the next 15 or 20 minutes I quizzed her on the color of people we knew in common -- turns out I'm mostly an earthy, reddish brown with flares of red and some specks of green.

Who knew?

Tuesday, March 13, 2007

like an apple


like an apple
Originally uploaded by suttonhoo.

a found poem

Cézanne is and remains
a painter of apples

apples that are smooth
round, fresh, ponderous, dazzling
of shifting color

not the ones you'd like to eat
but rather forms that ravish

he made apples his own


Art critic Thadée Natanson reviewing Ambroise Vollard's Cézanne show in 1895. Found at a reception for the Art Institute of Chicago's show Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde


Also spotted:

I paint still lives because women models frighten me.

— Cézanne to Renoir


And:
You are to remain quiet and complete still -- like an apple.

— Cézanne to his dealer Vollard, prepping him for a sitting



And yeah: These oranges are by Renoir, who was also featured in the show, which spans many artists -- including Picasso, Martisse, Gauguin, Bonnard, Derain -- whom Vollard represented through his gallery in Paris. This shot was taken many months ago, in the permanent AIC collection, because I got busted with my cameraphone tonight and wasn't able to snag any apples by Cezanne.

that much closer to naked

There's something about the hint of Spring that makes you realize you've been wearing way too many clothes for way too long. Something about the way your muscles yield, your shoulders give; something about the way you receive the day when you step out into it, your lungs relaxing, breathing deep.

The outside air is no longer your adversary.

Together you move optimistically towards a truce.

Monday, March 12, 2007

soco


Shot in Austin's South Congress Neighborhood

miss ann's masterpiece

a found poem

Miss Ann is a woman of commanding style

She works alone at her grill
Patting each ample patty lightly
As she sets it down

Her masterpiece
Is a two-patty cheeseburger
Tricked out with bacon
That she tends closely
In the fryolator

The extreme economy of motion
The running dialogue
Of lightly sassy repartee


Miss Anne dusts
Your almost-ready patties with
“Seasoned salt”
Tinged red from cayenne

It looks like a mistake
Too much
Over the top


You get your burger
You regret [your doubts]

This is the next level of burgerhood
It just barely fits in your mouth



After trying a whole lot of burgers, Raymond Sokolov declared Miss Ann’s masterpiece, the Ghetto Burger, the best hamburger in America in last weekend’s Wall Street Journal.

Ann’s Snack Bar
1615 Memorial Dr
Atlanta, GA 30317

Sunday, March 11, 2007

golden light



Shot on the UT Austin campus

sexto go


sexto go
Originally uploaded by suttonhoo.
Every once in a while I'm seized by the realization that everyone on this planet is here because someone had sex.

Whether it was rough and tumble, sweet and slow, down and dirty, or quick and uptight like a sneeze they couldn't hold back -- it had to happen for the zygote to take.

I realize I'm not the first to have this thought, but while it lasts it transforms everyone around me, in much the way imagining them naked might. I wonder at the mashup of their parents and grandparents features, and think of them as some kind of crazy cubist coupling creature, all compact.

I wonder if their disposition is determined by the mood of the moment they were conceived -- are sweet optimists born of tender, hopelessly romantic unions? Are cynics born of dry and loveless mergers?

Probably not, but I like to wonder about it anyway.

One pleasant side effect of thinking this way is the benevolence for humanity that accompanies it, unbidden.

Admittedly, these thoughts usually come to me after one too many glasses of wine.

This one was called Sexto, a Spanish table red meritage sort of thing, with a healthy splash of tempranillo. Tasty.



Still posting by cameraphone from Austin, TX

Saturday, March 10, 2007

dahlia with room key


dahlia with room key
Originally uploaded by suttonhoo.
Hotel San Jose

Austin, TX



Needs just a little more light...

Friday, March 09, 2007

so close yet so far out


so close yet so far out
Originally uploaded by suttonhoo.
The old timers at the Maya Meetings stay at the Rodeway Inn, within walking distance from the UT Austin campus. My darlin' companion and I came to the party late, so we've never managed to snag a room at the Rodeway -- they're usually all booked up.

I found the Austin Motel online when I was looking for an alternate place to crash during the meetings, and I immediately fell in love with the way the website design appropriated this crazy phallic neon sign as an ever present icon that was repeated many times over in the global navigation (although I think they may have redesigned the site not too long ago -- but I'm posting by Sidekick and I'm too lazy to check). It's a perfect example of design so bad that it's good.

The motel continues the bad design theme -- a 1930s motor inn, it's been redone in true Austin-style with full size photographic wall friezes and funky random themes in which pictorial representations of tropical plants figure prominently.

It's also cheap. Half the price of the Rodeway.

Which pretty much seals the deal.

So it became our hovel of choice when we were in Austin -- or mine, at least. My sweetie found my taste for this kind of funkiness questionable at best, but the rate sold him too, so he pretty much let me do what I wanted to do. (Smart man.)

Only it seems we weren't the only ones to fall for the Austin Motel: the last couple of times I've tried for a room around this time of year it's been booked up solid with SXSWesterners, and this last time they referred us to the Hotel San Jose right across the alleyway.

The Hotel San Jose is another mid-century modern do-over -- each room is its own little bungalow, appointed in a way that would make Dwell Magazine terribly proud. The website advertises that each room has its own Eames chair (no foolin') and the door handles look a whole lot like the ones Wittgenstein designed for his sister's place.

My sweetie's complaining that the hemp soap smells like dirt, and the lime green flip-flops placed for my convenience in the bathroom could be mine if I didn't mind shilling out 20 bucks for them.

I suspect this place is a whole lot hipper than I know how to be. And it costs just about as much as the Rodeway. So we're back to square one.

But the robes are awfully comfy, anyway.

que es queso


que es queso
Originally uploaded by suttonhoo.
Listen: Cheese isn't Queso, and Queso isn't Cheese.

Cheese comes in many shapes, sizes, colors and consistencies. Queso is consistently and persistently viscous. And always vibrantly, whorishly, orange.

Cheese can go wherever Queso might go, but the same isn't true in reverse. You wouldn't want to invite Queso to a wine tasting. Or to top a mesclun salad where Montrachet would feel more at home.

Also, and most importantly when you travel down to Austin: Cheese comes *with* the Freebird burrito -- but Queso'll cost you 75 cents extra.



Posting by Sidekick from Austin, TX

cryptograph


cryptograph
Originally uploaded by suttonhoo.
Strange markings at the top of the stairs



Shot outside the Art Building on the UT Austin Campus

Thursday, March 08, 2007

it won't work.


it won't work.
Originally uploaded by suttonhoo.
Woman's Restroom

Austin-Bergstom International Airport

inbound to austin

I love the way passengers on flights
foreshadow the flight's destination.

Inbound to Austin on the eve of SXSW we've
got a Gibson in the overhead compartment,
Mac users are in the majority, and lanky guys
with messy hair and funky glasses outnumber
the suits. The conversational timbre passing
between the seats is smooth and melifluous,
not the booming hyper-energetic staccato
you hear when salesguys are the alpha dogs
on board.

I'm in the company of musicians.

This is shaping up to be a nice weekend already.

gill sans culottes


When not carving letters or at his devotions, the randy inventor of Gill Sans and Perpetua entertained himself -- sultan-like -- by rogering his wife, sisters, daughters, disciples (male and female), and the long-suffering family dog.


Stanford English professor Terry Castle blurbing on Fiona MacCarthy's book "Eric Gill: A Lover's Quest for Art and God in the March issue of the Atlantic Monthly.

Apologies to all who may not have wanted to know this unsavory fact about Mr. Gill, "the greatest British type designer of the twentieth century."

I'm wondering if I can ever recommend a Gill Sans or Perpetua type treatment to a client again, without looking terribly embarassed.

marks the spot

one thing leads to another


Right around the corner from Freud, lives the sexy Wittgenstein, who is thinking that ultimately what we say means Nothing. Confusing. Yet alluring. Somehow there may be more humor there. But three of his four brothers killed themselves and that is tragic and fantastically distressing.


From One Thing Leads to Another, in the fabulous Maira Kalman's The Principles of Uncertainty blog at the New York Times.

They call it a blog, but what kind of blog is flagged as "paid content"? You've gotta be a Times Select subscriber to get in.

That's just so not Web 2.0.

Wednesday, March 07, 2007

headshot


headshot
Originally uploaded by suttonhoo.
So on Monday, after waking at 4 AM to catch an early morning flight, I was called into a side conference room at the office to take some publicity stills for an article that’s going to run in a trade magazine in the next couple of months.

And today I saw the proofs.

Sweet lord they were awful.

Gratefully, two of my colleagues had shots taken too, and felt the same way about them, so I felt like a little bit less of a petulant princess when I asked our PR director if she wouldn't mind if I took a try at a few alternate shots.

This one’s a throw away, because of the framing and because I hadn't yet put up the dropcloth (read: bedsheet), but I think it's my favorite. Mostly because I'm not too deep into looking all corporate-y and consultant-like just yet.

You may have noticed: I don't take a lot of pictures of myself. This is, outside a few baby pictures that I've posted and my Flickr icon, the first self-portrait I've ever posted.

And I learned that when you shoot yourself there are a few things you can't ignore anymore: I'm older than I used to be. I'm heavier than I used to be. And I'm just as funny looking as I ever was.

But that part about being older? Means I don't mind at all. (Well, not so much.)

rite of spring

estella 12 top

Heading to Austin tomorrow to check in with the folks at the Maya Meetings. This has become a fairly regular rite of spring for us, although we missed the last couple of years because I was giving it all to the Man, and waited too long to book a room in town – a fatal error in the days surrounding the SXSW festival, which has morphed from Music into Interactive and Film, too.

Thought about trying to catch some of the Interactive while I was down there; then thought better of it. Days at home lately have become too precious and few. Do hope to catch a little spillover music while we’re in town, if we get lucky.

This will be the second year that they’re “doing things differently” at the meetings – Nikolai Grube left the seat that he inherited from Linda Schele a few years back. He was pretty much a traditionalist, and the meetings ran Linda’s way while he occupied the chair: Two days of papers (Thursday and Friday), followed by two days of collective decipherment (Saturday and Sunday) – which meant the rock stars of Mayan Studies armed with Sharpies hovering around an overhead projector, outlining and highlighting glyphs and their assorted and sundry parts, and making strange guttural utterances to the approval and/or dismay of the peanut gallery.

estella 12 detail

Worth noting: the peanut gallery is one of the best parts of these meetings, being a mash of notables and nobodys – Justin Kerr, Simon Martin, Michael Coe, Merle Greene, you get the picture… -- surrounded by young Turks and aging groupies (my sweetie and I fall into the aging set) who share little in common outside a prurient interest in the things folks etched in stone down South many, many years ago.

The initial four days used to be followed by a whole week of breakout workshops, in which folks sat down with notebooks full of inscriptions and Mayan grammars and went to town. I never did manage to make the time to stay for the follow up week, and regret now that I never will, because it's been tightened into a considerably more brief few days.

David Stuart is running the show now, having inherited the seat from Grube, and the event as a whole has been compressed. Jury’s still out on whether it’s for the good or the bad – I haven’t experienced it myself, and when I press folks who have for details all I get is a tight-lipped “it’s different”. So we’ll see.

Was pleased to hear that we’ll be taking on Piedras Negras inscriptions, along with a few of its Usumacinta neighbors: Yaxchilan and Pomona. One of my all time fave stellas hails from Piedras Negras, a now inaccessible site along the river because it’s largely occupied by drug lords who have made the monuments their home.

estella 12 4 captives

Estella 12 lives in the National Gallery in Guatemala City now, tucked away in a corner of the partially open patio in the heart of the galleries.

It’s stunning.

It portrays mortified captives under the thrall of their conquerors, and I’ve read none of the formal scholarship so I can no longer sort out what I heard from someone who knew something and what I made up on my own, but to the best of my knowledge the estella was carved by the captives it depicts. And it shows.

The captives (from Copan, I think -- the "Paris of the Mayan World" -- one of the captives is branded with the Copan emblem glyph) are wholly human, distinct, unique, and their suffering is palatable. Their captors are stiff and brutish – the weathering probably has something to do with the fact that they lack the humanity that’s conveyed so vividly in the folks whom they’ve enslaved under their feet – but I suspect it has something to do with the artist’s perspective as well.

So with any luck I’ll come away from the weekend understanding, finally, what the stone says. I’ll let you know how it turns out.

Piedras Negras Estella 12, detail

holi holy


Holi (3)
Originally uploaded by Divs Sejpal.
As a western white chick, I don't know my Holi from my hoi polloi, but that's what the blogosphere's for, baby.

We've got a few different flavors for the curious: an outsider writing from the inside, an insider writing from the outside [1], and a whole mess o' Flickr holi goodness »


[1] And a shout out to kuroaay, who finally got his scrawny ass a blog. ;) welcome, friend.

Tuesday, March 06, 2007

another free meal courtesy of the Field


Field Museum opening with all the trimmings tonight: the new Ancient Americas hall debuted with a 3 ½-out-of-5 star buffet (for me, when I hit the door at 6, it’s all about the buffet. After I eat I’m ready to think about the artifacts.) attended by the requisite mix of anthro-types, ethnically diverse hipsters and bankrolling doyennes (one of whom --I suppose not inexplicably but still surprisingly -- came clad in what appeared to be a baby harp seal fur coat).

The new hall turned out to be indigenous-Americans-lite, of course, because increasingly that’s what a museum installation needs to be if it’s going to work across its chief demographic – kids on field trips.

But I don’t mean to detract from the accomplishment: it’s a terrific addition to the museum's permanent collections, a story well told, and its focus on the indigenous people of the Plains before it travels in a straight swipe down to Central and South America was the right call, I think, for the Field, given its Midwestern provenance. (The Northwestern tribes get theirs in a hall of their own, newly refurbished, right outside the Ancient Americas' exit. I didn't spot any representatives from the Five Nations, but I'll betcha they're in there somewhere.)

The signage and placards are insightful and easy to understand, and the pieces selected from the Field’s collection are, of course, stunning. If Clovis spearheads and eccentric flints rock your world, you’ll do just fine here. (There I go again, revealing too much about my predilections.)

For whatever reason I got giddy stepping into the entry, where vertical video screens feature a diversity of indigenous Americans who appropriately introduce “their grandparents” – the ancestors -- in their native tongues.

From the entry the visitor moves into an antechamber where a moody CGI of the Illinois plains 10,000 years previous plays in ceiling-high surround screens, and the occasional mastodon scampers by in the distance. The experience comes across as a little black light and velvety, and is not as successful as the Cambrian animation that plays in Evolving Planet, because the landscape isn't as varied and diverse (of course it could be that I missed all the action because one of the doyennes was poking me in the kidneys to move along).



For me, the natural fibers and textiles were the panty wreckers of the evening (to borrow an anniemcq-ism) – I get weak all over when I spot indigenous fibers and threads, even more so when they’re really, really old -- and the new installation has three tremendously ancient and surprisingly vibrant and lovely textiles from the Americas on display -- plus a few 500 year old (intact!) Andean spindles and whorls to boot. Sweet.



The crowds were too thick and the timing too tight to take it all in -- and besides that there was dessert to be had (another three and a half stars) -- so we skipped out after 2 hours, with the implicit promise to take the rest in, in another round.

Not to worry: I’ll spare you the next trip.

p.s. The Hall of the Ancient Americas opens for real this coming weekend »

p.p.s. Relive the glory that was the sneak preview last November »

rub a dub dub


.
Originally uploaded by smalldogs.
You’ve met smalldogs’ belly tat – now meet smalldogs’ bathroom.

I’m sure all of these as a collection signify something tremendous, but I’m sure I don’t know what that is.

For me it’s just a happy place. Even when it’s not that happy »

something's happening here


Spring. She's such a tease.

Monday, March 05, 2007

can you hear me now?


I have a friend who works just down the road at Fermi Lab, and he's doing his damnedest to observe the Higgs Bosen particle. Every once in a while I’ll run into him when he’s deeply fatigued and looking very, very excited. He’s generally kind enough to share all kinds of great gossip about unobservable particles which of course I’m not allowed to mention here but which make me feel like I know something terribly important even though I hardly understand a word of what he tells me.

Recently I bumped into him and he was excited about something else altogether – a community theatre production – an English Farce – in which he played an English Bobby. He is English, so it wasn’t too much of a stretch, but he still did a knock up job. My sweetie and I went that same day to see the show, and it was lovely fun and a bargain to boot, and it was everything I love about this little corner of my adopted Chicagoland because really, after all, how many Sunday afternoons do you have the chance to see a particle physicist dress up like an English Bobby and chase around Vicars and Communists? Hardly ever. At least I don't.

Regrettably, he told me about the farce while we were standing in line to sign a petition to protest a local school board member’s attempt to ban an AP Biology textbook in the local high school.

Which would be one of the reasons why I occasionally shudder about my neighborhood.

The good news is that all went well: those of us who believe that the Enlightenment actually had lasting and positive effects showed up in large numbers and lined up to have our say to the School Board (I was a coward but cheered on friends who bellied up to the mic) about why a text book that mentions RU 486 and shows female genitalia really isn’t going to encourage our children to have any more sex than they’re already having. At the end of the day good sense prevailed and the book was once again approved for use.

But it was frightening to be in that room, to hear the arguments laid down, and to realize that while the folks on the side of Science understood one another, they didn’t understand the folks who took the side of what was being promoted as “Morality” (“Religion has nothing to do with it” a few of them claimed), and the folks who spoke on behalf of "morality" didn’t understand a word of what the folks on the side of Science were saying.

And I'm not entirely sure that either side wanted to understand the other.

There was no debate, and there was certainly no dialog. There was a simple series of statements declaring why the speaker was in the right. There was no sense that we might have understood each other, even if we tried. We simply didn’t speak one another’s language.

That’s all. I don’t have any cogent conclusions about the situation. No telling insights.

It just left me concerned that folks don't know how to argue anymore -- and rarely do you run into that cousin to a good argument -- the Platonic dialog -- where folks suspend certainty and dig deep into something through questioning and examination.

I get myself into trouble pretty regularly because I'll start throwing questions out to pick and probe at a situation. The hope, of course, is that the folks I'm picking and probing with will share in the exercise, and we'll get to a new understanding of the thing by the time we're through with it. But too often I get baffled looks accompanied by strange intonations, and I usually cave and say something lame like: "I'm not saying we do it this way" or "I'm not saying I think that, I'm just wondering if..." Rarely does it go anywhere interesting.

But every once in a while it does, and the person picks it up and starts throwing out their own hypotheticals (Bush and his cronies who "won't speak in hypotheticals" be damned -- they're what you need to puzzle anything through). And more often than not, you get somewhere new -- and you get there together.

I'm not sure if it's the new place or the fact that you figured it out together that matters more -- but I suspect it's the together part that makes it so satisfying.

4AM call time

Upside to waking at 4AM to catch an early morning flight:
  • Full moon hanging like a heavy pearl in the night sky

  • Wide open tollways; the feeling that you're the only person left in the world -- except for maybe that drunk guy who just passed at an unreasonably high speed

  • BBC World News broadcast followed by a Mexican hip hop chaser


Disadvantages to the 4AM ride:
  • Too many to count

wouldn't be the first time.


wouldn't be the first time.
Originally uploaded by suttonhoo.
Am I the only one who suspects that Bill's heart may not be at home?

Sunday, March 04, 2007

postcard from London


Still Life with Crab Meat Can
Originally uploaded by efo.
A Green Crab's Shell

Not, exactly, green:
closer to bronze
preserved in kind brine,

something retrieved
from a Greco-Roman wreck,
patinated and oddly

muscular. We cannot
know what his fantastic
legs were like--

though evidence
suggests eight
complexly folded

scuttling works
of armament, crowned
by the foreclaws'

gesture of menace
and power. A gull's
gobbled the center,

leaving this chamber
--size of a demitasse--
open to reveal

a shocking, Giotto blue.
Though it smells
of seaweed and ruin,

this little traveling case
comes with such lavish lining!
Imagine breathing

surrounded by
the brilliant rinse
of summer's firmament.

What color is
the underside of skin?
Not so bad, to die,

if we could be opened
into this--
if the smallest chambers

of ourselves,
similarly,
revealed some sky.


A poem by Mark Doty and a gift from Corydora, a Flickr friend. The poem was read this weekend at the opening of Alchemy, an exhibition of photographs by Corydora, embleton and bhikku (aka Ilene Sterns, Alex Foord and Nigel Britton) at Sutton House Gallery in London.

Wish I were in London.

Ramones Karaoke has posted photos of the event »


Alchemy at Sutton House Gallery
2 & 4 Homerton High Street, Hackney
London, London E9 6JQ

a good day for a good read


Shot in Cody's Books in San Francisco, earlier this week.

Newton, forgive me

high noon

a found poem

Late in life
Einstein apostrophize[d] Sir Isaac
With intense intimacy

Newton, verzeih’ mir’

Reflecting on [Newton’s] absolutes of space and time
[Shattered by] his theory of relativity

Newton forgive me

You found the only way
which in your age
was just about possible

for a man of highest thought
and creative power



Found in Peter Galison’s Einstein’s Clocks, Poincaré’s Maps: Empire of Time

I'm not entirely sure what "apostrophized with intense intimacy means", but it sounded intriguing, so I ran with it.

Saturday, March 03, 2007

a story can never have too many shamans [1]

cloudscape


Sometimes you need to try a story out on a willing friend before you’re sure it will survive the telling. I’ve been carrying this one around with me since my return from Guatemala, and had a chance to air it out recently – I didn’t see it coming – he asked, and, after some hesitation, I spilled. It felt a little strange bringing it forward, but lucky for me my friend is a good listener and compassionate to boot, so he left me feeling like maybe there’s value to this story. Which made me think that maybe I would post it here too.

If you’ve been following detritus for any length of time, you know that 2006 was a bruiser for me. We kicked it off in high style on the first day of the new year with an email from my ex- -- received late in the night, without warning, that read:

Subject: I just got some terrible news

My Dad just called and said that he just learned that Tom Defore just died yesterday. I haven’t received any details yet from his family except that he was camping with some friends and fell off the side of a cliff at night.




dry run


I have a short list of people that I would lay my life on the line for, and TD4 was one. There’s something about losing someone you love that knocks a hole in your world – a stranger approached me at Tom’s memorial service and said exactly that. “You look like you have a hole blown right through you.” And I did.

That pretty much set the stage for the year to come.

Brillig would die next – my sweet little Russian Blue who had been with me for sixteen years. She was sick for about six months with kidney failure. My husband and I cared for her intensively with subcutaneous drips and special diets and a whole lot of loving and fussing. When she was gone there was a hole between us too.

zen cat


Soon after that I would speak at an industry conference and manage to come down with a whopper of a bronchial infection. The fever started during the Q&A and continued through the follow up interviews that I did with a couple of the industry rags. Reading the articles later it was clear that I didn’t. Quite. Manage. To articulate my ideas.

I laid up in my hotel room the following day with a fever that approached 103, having canceled my plans to drive through Joshua Tree and visit my grandparents in Arizona – a drive that I was living, hoping, dreaming for. I wanted to grieve in the desert. I needed to cry. Instead I got on a plane and headed home. Returned to the job that was killing me the next Monday, continued to work 60 hour weeks and commute three to four hours a day and watch my hair fall out in big clumps from the stress.

All of this laid the stage for the pneumonia that would visit me in April, the same time an old friend came out to play. I spent the last day of her visit in bed with that fever again, and all of the next week, trying not to die.

But of course, I was aware that things were very bad, and so I did what I could to find a way through it. The job was a problem. It was fancy-pants and all that, with a great title and responsibilities, but not enough staffing or budget to do the things we needed to do in a reasonable work week. And it was killing me. So I got out.

And I started to blog. I didn’t realize it at the time, but I needed needed needed to blog. Just as I needed to Flickr. I needed to do something to wake up that sleeping part of my brain and heart that I put on hold to work excessively long weeks and make piles of money for someone else that I would never see. I needed to remember who I was and what really mattered to me. Strange how blogging can do that if you let it.

But still there was this hole.

And then Kathryn died.

kathryn in the field


Once you’ve lived for a while with grief you forget what it’s like to live without it. It soaks into everything like a sponge, dampening your world.

The bronchial thing continued to be a problem. All year long I cycled through infection after infection after infection. In addition to the docs who gave me the pills I needed to get through it, I started to see an acupuncturist. She went to work on my lungs. She told me that in Chinese medicine it’s believed that grief settles in the lungs and causes all kinds of problems. She also said to me: “There’s an authentic sadness about you. You don’t seem depressed – depression is stuck anger – you seem really, really sad.”

And then I went to Guatemala.

As my friend said last weekend: “So it sounds like the Guatemala trip was really hard.” It was. I got sick again – more lung stuff, accompanied by the fear that the one last antibiotic available to me -- I had developed allergies to the others, in the course of my illness -- afraid too that this last one would also prove to be poison. And it was cold in the highlands. No central heating, high altitudes, not enough blankets. I shivered and whimpered and wished I was home.

The anniversary of Tom’s death was approaching, and on one day in particular, my head and heart and mind were flooded with thoughts of Tom. Not entirely accurate: they were flooded with thoughts of his death. How he died. That he died. That one small step took him away. From me. From all of us. From the rich, varied, enduring life that he lived.

Goddammit.

And I holed myself away and cried. My phlegm production was especially impressive, layered as it was on top of the infection that I was incubating.

So the stage is set: I’m fucking miserable.

Tangential to all of this I’m traveling with some really nice folks and seeing some really great things. We’re traveling with Nick, Kathryn’s husband, through country that we've traveled with them both before, which means her ghost is traveling with us. We stop in Chichicastenango and I make an offering at the central church – and I ask, please, finally, can I have a break from all this? From the grief. From the tears that live in my lungs.

On the second day of the new year we visit Iximché, a post-classic Mayan site that’s just enough beautiful to take your breath away. The sky is blue and the sun is shining and cuddly cumulous clouds float by so close that you feel you can reach and out and touch them. I lay on my back on the top of a mound for a while and imagine doing exactly that.

There’s nothing I love doing more than laying on my back and feeling the earth solid beneath me and seeing the sky high above me. I don’t know why that is, but it comforts me like no other mother.



As a group we head to the far end of the site, in the company of Luis Morales, a Mayan Shaman who has joined us for the day. We intend to have a new fire ceremony.

And so we do.



Our Shaman arranges the fire. He lays down copal incense. He has prepared herbs and grasses and sprinkled them with salt. Much of this he lays around the perimeter of what will be our fire. He lays four colors of candles to each of the four directions: North. West. South. East. In the center he sets a bundle of green and blue candles: these are for the World Tree. The Axis Mundi.



He lights the blue and green candles and we begin our prayers. We pray to the lords of the twenty days who govern the passage of time. We pray to our ancestors. We hold them in our heart and thank them for our inheritance. We acknowledge our responsibilities. We stand; we kneel. The gravel of the ground cuts into my knees. The smoke of the incense blows over me. The mountain sun shines down. I’ve taken off my hat and before the hours have passed I will be deeply sunburned. I blow my nose. I have a cold and I’m crying.

Several times we traverse the circle and add to the fire: A candle. A splash of rum. A handful of sweet-smelling herbs. I remember Tom. I remember my Bompa. I remember Kathryn. I remember Brillig. I wonder can standing in the sun and praying to the days and to the ancestors really make a difference? Either way, it’s a beautiful day, and I’m enjoying this. The focus. The intention. The voice of our Shaman. His Mayan prayers. His explanations in Spanish. And in the smoke a phrase fills my mind. It’s unexpected and it sticks, playing itself over and over, like a mantra.

How you lived; not how you left.


Later I think more about it and realize that this is what has soaked my days – not memories of the ones I’ve lost, but memories of the ways they left their lives. Thoughts of Tom slipping off the cliff. Of Kathryn collapsing in the shower. Of Brillig on the table at the vet – the fear. The life leaving her.

Thoughts of wanting to undo what is done.

But right then I just let the thought play itself in my brain, and let the tears soak my face and the smoke sting my eyes.

“Did it stick?” my friend wants to know, as I wrap up the telling for the first time. Catharsis is one thing – the misery leading up to it, the transcendent moment that results from ritual. Folks have studied it, written of it, know that it can happen.

But undoing the “how they left” is something altogether different, and replacing it with older memories, faded moments, is a difficult thing to do. Thoughts become more persistent with repetition – they wear a groove in your soul. They become part of you.

It did. It stuck.

My days are different now. The grief has a different cast. It may just be the passage of time, but the memories that run through my mind are of my friends when they were living -- not when they were dying. I can feel the flame that used to flicker inside me before the tears dampened its light. I'm not as sad. And just recently I thought of Tom, of something he said once, that was perfectly appropriate and entirely odd and insightful, just like it always was, and I laughed.

cloudscape


[1] Many thanks to b1-67er for the title of this post. And for asking.

Friday, March 02, 2007

Hello, Dave.

It's almost like magic when it's working. The sensation you get is that the computer's reading your mind, and that's really very powerful.


Robert Jacob, professor of computer science at Tufts University, commenting on the incorporation of eye-tracking as a navigation device into common user interfaces. Cited in An Alternative to the Computer Mouse in today's MIT Technology Review.

update: Never assume that the YouTube video you're linking to is the clip you think it is if you don't listen to the audio -- all the way through. I didn't when I posted it. I just did now. And subsequently removed the link.

woops.

speakin of jookin

This showed up in this morning's paper:

The word 'juke' is believed to be derived from the African-influenced Gullah dialect of the Southeast coast, in which 'jook' means 'disorderly'or 'wicked'.


From As Night Falls, Farmer Trades His Tractor For the Blues in this morning's New York Times.

The piece, a good read, is about a juke joint called Po' Monkey in Merigold, Mississippi, and its proprietor Willie Seaberry who says, "I love all music as long as it's the blues."

7/7/07

We’ve never seen anything like this. We were all shocked.


Bryan Allison, VP of marketing for Vegas.com, commenting in this morning’s New York Times on the fact that hotel reservations for the weekend of July 7th are about six times greater than those for the previous weekend.

The article opens:

The almost numerically perfect 7/7/07 is being sought after by couples around the country as the ideal day for a wedding.

More than 31,000 couples have already signed up with theknot.com, a wedding-planning Web site, saying they plan to marry that day, a figure that is roughly triple the number for any other Saturday that month – and nearly 20,000 more than the number of couples who got married on the corresponding weekend a year earlier.

The travel site Vegas.com said its hotel reservations for the weekend starting on Friday, July 6, are about six times greater than those for the previous weekend.


Many years ago, when I told a girlfriend about my plans to get married, she told me about her wedding day. Her groom insisted that they get married on July 7th at 7 PM.

Briefly she paused and then continued:

“We were divorced seven years later.”

Thursday, March 01, 2007

hykoo | jookin

gal yo hips b like
2 jook joints onna payday
an i'z ret ta dance


From Chicago poet Regie Gibson's collection Storms Beneath the Skin.

The book is peppered with other hykoos from Gibson, but if you have a little time to invest in his Warnin! Warnin! love song to funk, you won't be disappointed. He opens with more riffing on hips and a shout out to the soul man in the first few stanzas:

good funk
been known to cause young girls
to find out theys got hips to use

and this could turn them into night mamas (uuhh)
with thighs (uuhh)
capable of punking men (good gawd)
into dead religion


But Gibson's not all grit and grind: he gives up this one to his friend Teresa, in i will not know you:

...

i will not know you

until the strange knives of our bodies
have spooned themselves familiar

until I know the rhythm of star
pulsing in your chest

until I've seen your silver sheets of breath

weave themselves into papyrus
that dreams inscribe upon

until I've seen your spirit
rise from flesh

run to meet your truest soulmate

then rush back into your body
as that first trumpet
of sunlight       daylight god-light

blares       blows       paints itself
a magenta jazz across the bosom of the skies

there is no need to penetrate you

i have already
spun universes
from the colors of your eyes


I need me a little Regie tonight. I think, maybe, some nights, every girl does.

more signs of the impending global apocalypse

the beekeeper

I have never seen anything like it. Box after box after box are just empty. There’s nobody home.


Beekeeper David Bradshaw, commenting on the mysterious honeybee die-off in the US reported in Tuesday's New York Times.

Nobody's sure why in some parts of the U.S. up to two-thirds of the honeybees used commercially to pollinate crops are not returning to their hives.

Spells bad news for those of use who like to eat.

(That would be all of us.)
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